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| 从行草狂放到碑学复古——晚明到清末书法艺术风格的变迁 |
| From Wild Cursive Hand to Restore Ancient Ways of the Stone Tablet Calligraphy: The Calligraphy Style’s Changes from the Late Ming Dynasty to the Late Qing Dynasty |
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| DOI： |
| 中文关键词: 晚明狂放 赵董书风 馆阁体 碑学复古 |
| 英文关键词: the wild cursive hand of the late Ming Dynasty The calligraphy style of Zhao Mengfu and Dong Qichang Guangeti calligraphy restores ancient ways of the stone tablet calligraphy |
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| 摘要点击次数: 1966 |
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| 中文摘要: |
| 晚明到清末社会剧烈变化激荡,书法艺术风格变迁明显:从晚明行草的狂放到清前期赵董的柔媚、馆阁体的板滞僵化,到清朝中后期碑学复古。书法艺术风格的变迁与文化思想、书家个性、社会变动等深层契合。探索一定历史书风变迁,有助于深刻解读书家身世、时代思潮、社会政治等方面变化。 |
| 英文摘要: |
| Due to the drastically social changes from the late Ming Dynasty to the late Qing Dynasty,the calligraphy art style also changed clearly from wild cursive hand in the late Ming Dynasty to the effeminate calligraphy style of Zhao Mengfu and Dong Qichang in the early Qing Dynasty,from the rigid and stiff Guangeti calligraphy to restores ancient ways of the stone tablet calligraphy in the middle and late Qing Dynasty.The calligraphy style changes fit deeply with the cultural ideological trend,calligrapher’s personality and social change.Exploring the change of calligraphy art style at certain history can be helpful to study the changes of calligraphy artists’ fate,social thoughts and political situations. |
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