Margaret Drabble is a well known contemporary British writer. Foreign studies of Margaret Drabble have been made profoundly and thoroughly in the past fifty years. The studies abroad are all around, including the perspectives of religion, feminism, realism and postmodern narrative techniques. While in China, though more and more studies have conducted on Drabble in recently years, it still lags behind foreign studies. This paper attempts to make a survey on Margaret Drabble studies, analyze the critical perspectives and problems existing in the studies, and explore new rooms for further studies, so as to promote Chinese studies on Margaret Drabble and provide writing paradigm for literary creation in China.