毛泽东时代海报设计研究
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湖北省教育科学“十二五”规划基金项目(2012B125);2013湖北省教育厅人文社会科学研究基金项目(13d088)


On Poster Design in the Era of Mao Zedong
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    摘要:

    毛泽东时代的海报设计是一个时代的印记,它是理想化的实现,是时代政治的声音,更是那个时代人们激情与理想的流露。虽然它想象的成分很多,但那个时代的海报设计,从对“救亡运动”到“文艺为工农兵服务”问题的思考,都使它的艺术形式在推进现代民族国家的过程中有别于西方和传统中国的样式而达到了一个全新的高度,成为当时政治和文化的标记。它无论在内容﹑形式还是数量上都是惊人的,是特定历史时段大众理想与心声的体现。

    Abstract:

    As the idealized realization, the political voice of the era, and the outpouring of peoples passion and ideal, the poster design in the era of Mao Zedong marked the times. Although it had many imaginary components, the poster design of that era had reached a new height, i.e. from the reflections on “the National Salvation Movement” to those of “literature and art for the workers”, both of which had made its art form differ from the Western and the traditional Chinas styles in the process of modern national country, thus it became the symbol of political and cultural identity of that time. It had amazing contents, forms and quantities, showing the masses ideals and aspirations of the specifically historical period.

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陈保红.毛泽东时代海报设计研究[J].湖南科技大学学报(社会科学版),2015,18(2):17-22

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  • 在线发布日期: 2015-03-26