Abstract:The female poetry critics of the Qing Dynasty expand reviews of the Qing Dynasty female writing according to their own gender positions. The lack of womens social values is changed by enhancing womens literary achievements. Seeking female self-identity and identity in the symbol of the patriarchal society sector reflects their consciously poetic consciousness and feminist consciousness. However, the female poetry critics of the Qing Dynasty, on the one hand, try to express the female subject consciousness; on the other hand, they are still unable to escape the fate of female marginalization, and the manipulation of the mainstream ideology makes the discourse expression of subjectivity into the contradictions and predicament.